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maszyny: Accordion
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Accordions (from 19th-century German Akkordeon, from Akkord—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame). The essential characteristic of the accordion is to combine in one instrument a melody section, also called the diskant, usually on the right-hand keyboard, with an accompaniment or basso continuo functionality on the left-hand. The musician normally plays the melody on buttons or keys on the right-hand side (referred to as the keyboard or sometimes the manual), and the accompaniment on bass or pre-set chord buttons on the left-hand side. A person wh…
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19th-Century Berlin and the Invention of German Musical Tradition
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Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound either by splitting the air blown into them on a sharp edge, such as a fipple (e.g. flute, recorder), or by the coupled oscillation of one or two reeds and an air column (e.g. clarinet, bassoon). Despite the name, a woodwind may be made of any material, not just wood. Co…
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An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Curt Sachs: Aerophones or 'air instruments' include what are usually called 'wind instruments,' with the addition of a few instruments with a different acoustical principle called 'free aerophones.' A wind instrument has two essential factors: a tube enclosing a column of air, and a device for setting that air into vibration by interrupting into pulsations the steady breath of the…
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Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these aerophones, the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion. 422 Reed aerophones 422.1 Double reed instruments - There are two lamellae which beat against one another. 422.11 (Single) oboes. 422.111 With cylindrical bore. 422.111.1 Without fingerholes. 422.111.2 With fingerholes. Duduk Piri 422.112 With conical bore. Bassoon Hne Oboe Cor anglais Oboe d'amore Bagpipes Shawm Taepyeongso 422.12 Sets of oboes. 422.121 With…
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A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed, and brass).
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Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs. This system was first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961, which is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project. Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments…
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The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a vacuum system), and the Indian harmonium. Historical examples include the Kunstharmonium and the American reed organ, while earlier forms include the physharmonica and the seraphine. More portable than pipe organs, free-reed organs became widespread in smaller churches and private homes during the 19th century, although their volume and tonal range were limited. They generally featured one, or occasionally two, manuals, while pedal-boards were rare. Hig…
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