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Evidence: 59 • authority: 88

Cold War Contexts: Pawlikowski in Film, Television, and European History. Jerry White compares Paweł Pawlikowski's new film Zimna wojna (Cold War, 2018) to Karpo Godina's classic Slovenian film Rdeči boogie ali Kaj ti je deklica (Red Boogie, 1982), discussing the narrative and thematic continuities between the two films in the context of Cold War history and cinema. White also explores Pawlikowski's prior incarnation as a British documentary filmmaker named Paul to suggest a curious evolution; that in returning to his native Poland in his most recent films (Cold War and Ida), Pawlikowski has gone astray, abandoning the authenticity of his early British films such as Last Resort for a muddle…

Evidence: 53 • authority: 88

Les guerres froides : Le film Cold War de Pawel Pawlikowski (2018). Every attempt to replace the cold war polarisation represents a reinterpretation of the global conflict in the modern history. In my text, I will link the movie Cold War of the Polish director Pawel Pawlikowski (2018) to the analysis made by Heonik Kwon in his study The Other Cold War (Columbia University Press, 2010), who claims that the very notion of cold war as an unitary concept does not exist. Starting from this presupposition, I will examine the movie, which stages the love story of a couple crossing the Iron Courtain of the post-war Europe. The result is a Polish and British-French coproduction, opening the field of…

Evidence: 47 • authority: 88

Promotion of Polish Cinema Abroad as an Element of Nation Branding. Case Study of “Cold War” (2018) by Pawel Pawlikowski. The subject of this article is nation branding in the culture market, namely the role cinematography plays in creating a nation brand. Sustainability and sustainable development in the film industry is conditioned by variety in cultural promotion channels. The aim of the authors is to prove that appropriately organised cinematography promotion abroad can positively influence the image of a given country. The first section deals with the relationship between media and sustainable development, as well as with theoretical definitions of branding and the nation brand. Subseq…

Evidence: 29 • authority: 88

Photography and Nostalgia. About the Cold War Film by Paweł Pawlikowski. The text attempts to answer the question: why does blurring the lines between film and photography play such a significant role in Pawlikowski's movie, and how does the use of photographic solutions in the cinematic narrative lead Pawlikowski towards nostalgia. Starting from Andrei Tarkovsky’s film Mirror – which served as inspiration for Pawlikowski – and its anchoring in photography, the author tries to demonstrate that both directors utilize the inherent ability of photography to capture reality, thus making it possible to reach the image of the given memory. Furthermore, the use of photographic solutions in the fil…