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Pies: Dogs judge objects first by their movement, then by their brightness, and lastly by their shape
Bezużyteczne Fakty • dogfacts
ŹRÓDŁA I DOWODY
7 zapisanych źródełEvidence: 52 • authority: 80
Accurate segmentation of moving objects and their shadows via brightness ratios and movement patterns
Otwórz źródło ↗Evidence: 52 • authority: 72
The dog (Canis familiaris or Canis lupus familiaris) is a domesticated descendant of wolves. Also called the domestic dog, it was selectively bred during the Late Pleistocene by hunter-gatherers. Dogs and the modern gray wolf share a common ancestor. Dogs were the first species to be domesticated over 14,000 years ago, before the development of agriculture, though genetic studies suggest the domestication process may have begun over 25,000 years ago. Due to their long association with humans, dogs have gained the ability to thrive on a starch-rich diet that would be inadequate for other canids. Dogs have been bred for specific behaviors, sensory abilities, and physical traits. Dog breeds va…
Otwórz źródło ↗Evidence: 43 • authority: 80
Shape and texture biases in dogs’ generalization of trained objects
Otwórz źródło ↗Evidence: 43 • authority: 80
Supplemental Material for How Do Communicative Cues Shape the Way That Dogs (Canis familiaris) Encode Objects?
Otwórz źródło ↗Evidence: 43 • authority: 80
Influence of visually perceived shape and brightness on perceived size, expected weight, and perceived weight of 3D objects
Otwórz źródło ↗Evidence: 43 • authority: 92
Toward a theory of perspective perception in pictures.. This paper reviews projection models and their perception in realistic pictures, and proposes hypotheses for three-dimensional (3D) shape and space perception in pictures. In these hypotheses, eye fixations, and foveal vision play a central role. Many past theories and experimental studies focus solely on linear perspective. Yet, these theories fail to explain many important perceptual phenomena, including the effectiveness of nonlinear projections. Indeed, few classical paintings strictly obey linear perspective, nor do the best distortion-avoidance techniques for wide-angle computational photography. The hypotheses here employ a two-…
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