miasta-i-wioski: Shakespeare authorship question

Evidence: 100 • authority: 72

The Shakespeare authorship question is the argument that someone other than William Shakespeare of Stratford-upon-Avon wrote the works attributed to him. Anti-Stratfordians—a collective term for adherents of the various alternative-authorship theories—believe that Shakespeare of Stratford was a front to shield the identity of the real author or authors, who for some reason—usually social rank, state security, or gender—did not want or could not accept public credit. Although the idea has attracted much public interest, all but a few Shakespeare scholars and literary historians consider it a fringe theory and for the most part acknowledge it only to rebut or disparage the claims. Shakespeare…

Evidence: 92 • authority: 72

Claims that someone other than William Shakespeare of Stratford-upon-Avon wrote the works traditionally attributed to him were first explicitly made in the 19th century, though supporters of the theory often argue that coded assertions of alternative authorship exist in texts dating back to Shakespeare's lifetime. Typically, they say that the historical Shakespeare was merely a front to shield the identity of the real author or authors, who, for reasons such as social rank, state security, or gender, could not safely take public credit. Although these claims have attracted much public interest, all but a few Shakespeare scholars and literary historians consider them to be fringe theories wi…

Evidence: 55 • authority: 72

The Marlovian theory of Shakespeare authorship holds that the Elizabethan poet and playwright Christopher Marlowe was the main author of the poems and plays attributed to William Shakespeare. Further, the theory says Marlowe did not die in Deptford on 30 May 1593, as the historical records state, but that his death was faked. Marlovians (as those who subscribe to the theory are usually called) base their argument on supposed anomalies surrounding Marlowe's reported death and on the significant influence which, according to most scholars, Marlowe's works had on those of Shakespeare. They also point out the coincidence that, despite their having been born only two months apart, the first time…

Evidence: 39 • authority: 72

The spelling of William Shakespeare's name has varied over time. It was not consistently spelled any single way during his lifetime (1564–1616), including by Shakespeare himself, in manuscript or in printed form; historians note that this was not unusual for documents in the Elizabethan era. After his death, the name was spelled variously by editors of his work, and there was no fixed spelling until well into the 20th century. The standard spelling of the surname as "Shakespeare" was the most common published form in Shakespeare's lifetime, but it was not one of the inconsistent variations used in his own handwritten signatures. It was, however, the spelling used as a printed signature to t…

Evidence: 34 • authority: 80

The scholars and the critics: Shakespeare studies and theory in the 2010s

Evidence: 34 • authority: 72

William Shakespeare (c. 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, 3 long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studi…

Evidence: 34 • authority: 92

Quantitative criticism of literary relationships.. Authors often convey meaning by referring to or imitating prior works of literature, a process that creates complex networks of literary relationships ("intertextuality") and contributes to cultural evolution. In this paper, we use techniques from stylometry and machine learning to address subjective literary critical questions about Latin literature, a corpus marked by an extraordinary concentration of intertextuality. Our work, which we term "quantitative criticism," focuses on case studies involving two influential Roman authors, the playwright Seneca and the historian Livy. We find that four plays related to but distinct from Seneca's m…

Evidence: — • authority: 72

The BBC Television Shakespeare is a series of British television adaptations of the plays of William Shakespeare, created by Cedric Messina and broadcast by BBC Television. Transmitted in the UK from 3 December 1978 to 27 April 1985, the series spanned seven seasons and thirty-seven episodes. Development began in 1975 when Messina saw that the grounds of Glamis Castle would make a perfect location for an adaptation of Shakespeare's As You Like It for the Play of the Month series. Upon returning to London, however, he had come to envision an entire series devoted exclusively to the dramatic works of Shakespeare. When he encountered a less than enthusiastic response from the BBC's departmenta…

Evidence: — • authority: 92

Past, present and imaginary: Pathography in all its forms.. Diagnosis is a profoundly social phenomenon which, while putatively identifying disease entities, also provides insights into how societies understand and explain health, illness and deviance. In this paper, we explore how diagnosis becomes part of popular culture through its use in many non-clinical settings. From historical diagnosis of long-deceased public personalities to media diagnoses of prominent politicians and even diagnostic analysis of fictitious characters, the diagnosis does meaningful social work, explaining diversity and legitimising deviance in the popular imagination. We discuss a range of diagnostic approaches fr…

Evidence: — • authority: 88

Literary Author. Abstract Shakespeare is not merely a ‘man of the theatre’: he is also a literary author. Specifically, he is a theatrical man who is simultaneously a literary author. Hence, he writes two sets of works: not merely plays for both the theatre and the printshop, but also poems for the printshop. This hybrid model of authorship sets the highwater mark in English, for Shakespeare is the first individual fully to wear the mantle of the literary author in this form, succeeded by Jonson. As You Like It dramatizes the specific form that Shakespeare’s literary authorship takes: he is England’s first truly sublime literary author. Shakespeare’s sublime literary authorship is historica…

Evidence: — • authority: 72

Pseudohistory is a form of pseudoscholarship that attempts to distort or misrepresent the historical record, often by employing methods resembling those used in scholarly historical research. The related term cryptohistory is applied to pseudohistory derived from the superstitions intrinsic to occultism. Pseudohistory is related to pseudoscience and pseudoarchaeology, and usage of the terms may occasionally overlap. Although pseudohistory comes in many forms, scholars have identified common features in pseudohistorical works. Pseudohistory is almost always motivated by a contemporary political, religious, or personal agenda. It frequently presents sensational claims or a big lie about histo…

Evidence: — • authority: 72

Claims that someone other than William Shakespeare of Stratford-upon-Avon wrote the works traditionally attributed to him were first explicitly made in the 19th century. Many scholars consider that there is no evidence of his authorship ever being questioned prior to then. This conclusion is not accepted, however, by proponents of an alternative author, who discern veiled allusions in contemporary documents they construe as evidence that the works attributed to him were written by someone else, and that certain early 18th-century satirical and allegorical tracts contain similar hints. Throughout the 18th century, Shakespeare was described as a transcendent genius and by the beginning of the…