milosc-i-bliskosc: Jane Austen

Evidence: 62 • authority: 58

Evidence: 54 • authority: 90

Jane Austen and the Pleasure-Principle. (Conference Papers). MY POINT OF DEPARTURE IS the scene near the start of Emma in which Mr. Knightley and Mrs. Weston discuss Emma's new intimacy with the orphan Harriet Smith. Mr. Knightley is strongly opposed to this relationship; he fears Harriet's ignorance, lowly status, and abject dependence on Emma is 'doing them both harm' (89). However, Mrs. Weston points out that opposing Emma's new choice of a companion is futile: Pray excuse me; but supposing that any little inconvenience may be apprehended from the intimacy, it cannot be expected that Emma, accountable to nobody but father, who perfectly approves the acquaintance, should put an end to it,…

Evidence: 47 • authority: 72

Jane Austen's literary universe includes historical, geographical, and sociological aspects specific to the period and regions of England in which her novels are set. Since the second half of the 20th century, a growing body of research has focused not only on the literary qualities of these novels but also on their historical background, analyzing their economic and ideological aspects and highlighting the relevance of Jane Austen's works in these areas. On the other hand, a veritable cult has gradually grown up around the writer and her work, initially in the English-speaking world, but now spreading beyond it, and popular culture has taken hold of the universe she created. Jane Austen wr…

Evidence: 39 • authority: 90

Jane Austen : women and power. ABSTRACTOThis thesis examines the issue of women and power in the fiction of Jane Austen.The opening chapters provide a general overvlew of how Austen's minor female characters exerClse power._Subsequent 1 y, more detailed studles of power are conducted in relation to the novels' heroines.The olljective of the thesis is té disprove the theory that Jane Austen was as conservative and accepting of her society as is traditionally bel ieved.Although Austen makes few expllcit comments on women's issue~t Mer reticence has more to do wi th the conventions and restraints of her society than with her apparent indiffe.rence.Once we examine the attltudes , ' implicit in…

Evidence: 39 • authority: 80

Love, Marriage, and Dialectics in the Novels of Jane Austen

Evidence: 39 • authority: 80

The Performance of Love in Jane Austen

Evidence: 39 • authority: 72

The Brontës () were a 19th-century literary family, born in the village of Thornton and later associated with the village of Haworth in the West Riding of Yorkshire, England. Born to Patrick Brontë, a curate, and his wife, Maria, the sisters Charlotte (1816–1855), Emily (1818–1848) and Anne (1820–1849) were all poets and novelists who published their work under male pseudonyms: Currer, Ellis, and Acton Bell respectively. Their stories attracted attention for their passion and originality immediately following their publication. Charlotte's Jane Eyre was the first to know success, while Emily's Wuthering Heights, Anne's Agnes Grey and other works were accepted as masterpieces of literature a…

Evidence: 39 • authority: 72

Jonathan Strange & Mr Norrell is the debut novel by British writer Susanna Clarke. Published in 2004, it is an alternative history set in 19th-century England around the time of the Napoleonic Wars. Its premise is that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centred on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundaries between reason and unreason, Anglo-Saxon and Anglo-Dane, and Northern and Southern English cultural tropes. It has been described as a fantasy novel, an alternative history, and a historical novel. The narrative draws on various Romantic literary traditions, s…