fizyka: Music theory

Evidence: 48 • authority: 80

Film and its music cannot exist without each other – that’s why I love seeing films in a concert hall

Evidence: 41 • authority: 72

The history of ethnomusicology describes the evolution of the discipline of ethnomusicology, which integrates the cultural and social roles and influences of the people who make it. Oskar Kolberg is one of the earliest ethnomusicologists who began by collecting Polish folk songs in 1839. Comparative musicology, the primary precursor to ethnomusicology, emerged in the late 19th century and early 20th century. The International Musical Society in Berlin in 1899 acted as one of the first centers for ethnomusicology. Comparative musicology and early ethnomusicology tended to focus on non-Western music, but later, the field expanded to embrace Western music. When ethnomusicology first emerged in…

Evidence: 41 • authority: 80

Emotional Arousal Impairs Memory Only When the Input Information Competes With Each Other

Evidence: 41 • authority: 80

Biology and music listening to each other

Evidence: 41 • authority: 72

Anton Webern (German: [ˈantoːn ˈveːbɐn] ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist whose modernist music was among the most radical of its milieu in its lyrical, poetic concision and use of then novel atonal and twelve-tone techniques. His approach was typically rigorous, inspired by his studies of the Franco-Flemish School under Guido Adler and by Arnold Schoenberg's emphasis on structure in teaching composition from the music of Johann Sebastian Bach, the First Viennese School, and Johannes Brahms. Webern, Schoenberg, and their colleague Alban Berg were at the core of what became known as the Second Viennese School. Webern was likely the f…

Evidence: — • authority: 65