popularne-ksiazki: Spy fiction

Evidence: 100 • authority: 72

Spy fiction is a genre of literature involving espionage as an important context or plot device. It emerged in the early twentieth century, inspired by rivalries and intrigues between the major powers, and the establishment of modern intelligence agencies. It was given new impetus by the development of communism and fascism in the lead-up to World War II, continued to develop during the Cold War, and received a fresh impetus from the emergence of rogue states, international criminal organizations, global terrorist networks, maritime piracy and technological sabotage and espionage as potent threats to Western societies. As a genre, spy fiction is thematically related to the novel of adventur…

Evidence: 52 • authority: 88

Espionage and Exile. Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists w…

Evidence: 48 • authority: 72

The spy film, also known as the spy thriller, is a genre of film that deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John le Carré) or as a basis for fantasy (such as many James Bond films). Many novels in the spy fiction genre have been adapted as films, including works by John Buchan, le Carré, Ian Fleming (Bond) and Len Deighton. It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. Spy films show the espionage activities of government agents and their risk of being discovered by their enemies.…

Evidence: 40 • authority: 72

In the book-trade, genre fiction, also known as formula fiction, or commercial fiction, encompasses fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre. These labels commonly imply that this type of fiction places more value on plot and entertainment than on character development, philosophical themes, or artistic depth. This distinguishes genre fiction from literary fiction. Popular genres include crime, fantasy, romance, science fiction and horror—as well as Western, inspirational and historical fiction. Slipstream is sometimes thought to be in between genre and non-genre fiction.

Evidence: 40 • authority: 72

Evidence: 40 • authority: 72

Evidence: 37 • authority: 72

Writing genres (more commonly known as literary genres) are categories that distinguish literature (including works of prose, poetry, drama, hybrid forms, etc.) based on some set of stylistic criteria. Sharing literary conventions, they typically consist of similarities in theme/topic, style, tropes, and storytelling devices; common settings and character types; and/or formulaic patterns of character interactions and events, and an overall predictable form. A literary genre may fall under either one of two categories: (a) a work of fiction, involving non-factual descriptions and events invented by the author; or (b) a work of nonfiction, in which descriptions and events are understood to be…

Evidence: 33 • authority: 80

Espionage in British Fiction and Film since 1900: The Changing Enemy by Oliver S. Buckton, Espionage and Exile: Fascism and Anti-fascism in British Spy Fiction and Film by Phyllis Lassner

Evidence: 29 • authority: 72