technologia: Kuduro

Evidence: 100 • authority: 72

Kuduro (or kuduru) is a type of music and dance born in Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola, in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, house and techno playing from Europe. The kuduro is similar to semba. Its rhythm is laid out on a fast four-to-the-floor beat bass drum and some other instrument (snare drum, sidestick, etc.) performing the first two hits of the tresillo pattern.

Evidence: 51 • authority: 80

Violent aftermath of Mexico’s ‘El Mencho’ killing follows pattern of other high-profile cartel hits

Evidence: 51 • authority: 80

Pattern recognition with vector hits

Evidence: — • authority: 72

Tresillo ( tres-EE-yoh; Spanish pronunciation: [tɾeˈsiʎo]) is a rhythmic pattern (shown below) used mainly in Latin American music and caribbean music. Tresillo is the most fundamental duple-pulse rhythmic cell in Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón.

Evidence: — • authority: 72

Tresillo (/trɛˈsiːjoʊ/ tres-EE-yoh; Spanish pronunciation: [tɾeˈsiʎo]) is a rhythmic pattern (shown below) used mainly in Latin American music and caribbean

Evidence: — • authority: 72

was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo is a fundamental rhythmic figure heard in many different

Evidence: — • authority: 72

bass pattern on a Cuban disc. In a 1988 interview, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over

Evidence: — • authority: 72

clave pattern has two opposing rhythm cells: the first cell consists of three strokes, or the rhythm cell, which is called tresillo (Spanish tres = three)

Evidence: — • authority: 72

instrument (snare drum, sidestick, etc.) performing the first two hits of the tresillo pattern . The roots of kuduro can be traced to the late 1980s when