jedzenie: Emo

Evidence: 100 • authority: 72

Emo ( EE-moh) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the late 1980s, Maryland bands Moss Icon and the Hated adopted and reinvented this sound, putting less influence on its punk roots. In the early-to-mid 1990s, their influence led emo to be adopted by alternative rock, indie rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, Mineral, and Ji…

Evidence: 65 • authority: 72

The Get Up Kids are an American second wave emo band from Kansas City. Formed in 1995, the band is a major act in the mid-1990s second wave emo scene. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered forefathers of the emo genre, and have been widely credited as being an influence, both by contemporaries Saves the Day and later bands such as Fall Out Boy, Taking Back Sunday and the Wonder Years. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking o…

Evidence: 59 • authority: 72

Emo pop (alternatively typeset with a hyphen, also known as emo pop-punk and pop-emo) is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity…

Evidence: 47 • authority: 72

Brendan Gamble (born 1966) is an American singer-songwriter, drummer, music producer, and audio engineer. A native of Urbana, Illinois, Gamble first appeared in the seminal new wave band ¡Ack-Ack! with vocalist Lynn Canfield and guitarist Henry Frayne, and played on their 1985 single, "Another Face". He replaced the original drummer of the post-hardcore/indie rock group Poster Children in 1988 and appeared on their first widely-released album, Flower Plower. After Gamble's departure from Poster Children, he resumed working with Frayne on early material for a project that would later be named Lanterna. Around the same time, Canfield joined Frayne and Gamble along with bassist Don Gerard to f…

Evidence: 47 • authority: 72

The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo (i.e., second wave emo). The movement had become prominent in underground music by the mid-2010s, with influential releases from era-defining groups like Modern Baseball, the Hotelier and Joyce Manor. It also expanded in scope and sonic diversity during this period. Soft grunge was pioneered by such groups as Title Fight, B…

Evidence: 42 • authority: 72

Midwest emo (or Midwestern emo) is a subgenre and scene of emo music that emerged in the Midwestern United States during the 1990s. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." Midwest emo is sometimes used interchangeably with second-wave emo, and when referenced as a genre is ofte…

Evidence: 36 • authority: 72

Screamo (also referred to as skramz) is a subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

Evidence: 36 • authority: 72

Mineral was an American emo band founded in Houston, Texas, that was primarily active in the mid-late 1990s. Despite being initially active for less than five years and releasing only two albums, Mineral is considered among the seminal bands in the emo genre. Their first album, The Power of Failing, has received critical acclaim as a "classic" in the genre.

Evidence: 24 • authority: 72

The American Football House is a house in Urbana, Illinois, United States, known for its appearance on the cover of Midwest emo band American Football's 1999 debut album American Football. The house's interior was also featured on the cover of the band's 2016 second album, also titled American Football. The house has since become "one of music's biggest landmarks", attracting tourism, especially in the emo community.