klasyki: Fairy tale

Evidence: 100 • authority: 72

A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, mon…

Evidence: — • authority: 88

The Meaning of Fairy Tale within the Evolution of Culture. This chapter focuses on the significance of Madame Catherine-Anne d'Aulnoy and the French writers of fairy tales in the 1690s. d'Aulnoy coined the term “fairy tale” in 1697, when she published her first collection of tales. But it was not until 1750 that the term “fairy tale” came into common English usage. The chapter explores the historical importance of the term “fairy tale” in greater depth by discussing the role of the fairies in d'Aulnoy's works. It also looks at how fairies were part of a long oral and literary tradition in French culture, and how d'Aulnoy's employment of fairies in her tales owes a debt to Greek and Roman my…

Evidence: — • authority: 72

In literature, film, and other such arts, an unreliable narrator is a narrator who cannot be trusted or whose credibility is compromised. As a narrative technique, it can be found in a wide range from children to mature characters. While unreliable narrators are almost by definition first-person narrators, arguments have been made for the existence of unreliable second- and third-person narrators, especially within the context of film and television, but sometimes also in literature. The term "unreliable narrator" was coined by Wayne C. Booth in his 1961 book The Rhetoric of Fiction. James Phelan expands on Booth's concept by offering the term "bonding unreliability" to describe situations…

Evidence: — • authority: 72

Linguistic reduplication is a distinct grammatical feature in Russian, where it can be used to derive reduplicated forms from existing stems to intensify their meanings in different ways. Reduplication is also observable in borrowed words, such as "пинг-понг" ([pʲɪnkˈponk]; ping-pong) and "зигзаг" ([zʲɪɡˈzak]; zig-zag), but since the words were borrowed as is from other languages, they are not examples of reduplication as it works in the grammar of Russian.

Evidence: — • authority: 72

Traditional stories, or stories about traditions, differ from both fiction and nonfiction in that the importance of transmitting the story's worldview is generally understood to transcend an immediate need to establish its categorization as imaginary or factual. In the academic circles of literature, religion, history, and anthropology, categories of traditional story are important terminology to identify and interpret stories more precisely. Some stories belong in multiple categories and some stories do not fit into any category.