praca-i-biura: Fantasy film

Evidence: 66 • authority: 72

Historical drama, or period drama is a film genre in which stories are based upon historical events and notable people. Some historical dramas are docudramas, which attempt to accurately portray a historical event or biography to the degree the available historical research will allow. Other historical dramas are fictionalized tales that are based on an actual person and their deeds, such as Braveheart, which is loosely based on the 13th-century knight William Wallace's fight for Scottish independence. Historical fantasy includes films that place legendary or historical figures into stylized or supernatural worlds while remaining rooted in a specific era of human history. Examples include 3…

Evidence: 45 • authority: 90

Clash of the Titans and Prince of Persia: A Study of Figurative Language in Fantasy Films. The main objectives of the study are: 1) to identify types of figurative language that commonly express the fantasy senses in fantasy films; and 2) to analyze how these figures of speech express those senses of fantasy. In particular, the two films investigated in this study were Clash of the Titans and Prince of Persia. This research is based on the frameworks of figurative language and fantasy senses. Content analysis was applied. The findings revealed that five common types of figurative language were metaphor, hyperbole, personification, irony, and repetition. These figurative devices could expres…

Evidence: 45 • authority: 90

Type Building and Teaching Enlightenment of Domestic Fantasy Films since the 21st Century. Fantasy films reflect the nature of life based on exaggerating and transforming the real world through allegories or legends.Domestic fantasy films have gradually adopted the high-concept model in recent years.Under market operations, these films become new favorites of the box office.It is urgent to consider how to make excellent domestic fantasy films and guide them to walk towards the international market based on combining the teaching practice and revelations of genre films.The most important thing is to balance the relations between the native country and the world.Apart from setting foot on nat…

Evidence: 45 • authority: 88

Evidence: 45 • authority: 72

Evidence: 45 • authority: 72

Fantasy is a genre of speculative fiction that involves supernatural or magical elements, often including completely imaginary realms and creatures. The genre's roots lie in fantasy literature and drama. From the twentieth century onward, it has expanded into various media, including film, television, graphic novels, manga, animation, and video games. The expression fantastic literature is often used for this genre by Anglophone literary critics. An archaic spelling for the term is phantasy.

Evidence: 44 • authority: 72

Evidence: 38 • authority: 90

Registers of action: melodrama and film genre in 1930s India. Is there some comparative and connected way of thinking through film genre, both in the local contexts of production and more regionally and globally? In the early period of Indian cinema there were key patterns of film circulation and, alongside the iconic ‘national’ genre of the mythological, it would appear that the action serial/stunt movie and adventure/fantasy film remained a staple attraction.1 While genre elaboration took place in the 1920s, with historical and social films becoming part of cinema’s attractions, it was only in the 1930s that the notion of ‘the social’ acquired a cultural cachet and reformist zeal, not jus…

Evidence: 38 • authority: 90

The persuasive effectiveness of mini‐films: Narrative transportation and fantasy proneness. Abstract Little empirical investigation has been made on mini‐films, an innovative online marketing technique of branded entertainment. This study intends to gain a deeper understanding of the advertising effectiveness of mini‐films. Employing a narrative persuasion research approach, an online survey with hyperlinks to a variety of real mini‐films was conducted to test the aggregate persuasive effectiveness of this marketing innovation. The results demonstrated that narrative transportation has a major influence on the attitude toward the mini‐film; the mini‐film attitude fully mediates the effect o…

Evidence: 38 • authority: 90

SOCIAL AND PSYCHOLOGICAL CHARACTERISTICS AND TYPES OF YOUTH AUDIENCE WITH VARIOUS DEGREE OF INTEREST IN FANTASY FILMS AND TV SERIES. The article presents the results of a study aimed at identifying the specifics of youth consumption of fantasy video content. The features of preference for this genre compared to other media products, as well as the emotional, cognitive and behavioral components of involvement in the consumption of media products of this genre, are identified. Based on the severity of personal characteristics of student youth (character traits, psychological defenses and subjective well-being), four types of youth audiences with different involvement in the consumption of fil…

Evidence: 38 • authority: 72

A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors". One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. These characteristics are most evident in genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. A film's genre will in…

Evidence: 38 • authority: 72