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klasyki: Gothic double
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The Gothic double is a genre convention in Gothic fiction (or related genres) in which a single characters manifests a divided personality. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish folklore which is a double figure of a family member, often signifying an impending death. A major shift in Gothic literature occurred in the late 18th and early 19th centuries, where evil was no longer within a physical location such as a haunted castle, bu…
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Robert Heilman: Charlotte Brontë’s ‘New Gothic in Jane Etre and Villette (1958)
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“The Yellow Wallpaper” (Charlotte Perkins Gilman, 1892)
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Haunting or Hallucination? Charlotte Perkins Gilman's ‘The Yellow Wallpaper’ and Contemporary Theories of Decorative Art and Psychiatry. Even though Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’ (1892) has received a lot of critical attention, there have been only a few attempts at the visual analysis of the wallpaper. This article approaches it as a case of the intricate pattern – an optically unpleasant and complicated ornament that can be depicted. This motif is present in gothic narratives (Poe's ‘Ligeia’, 1838), films (Robert Wise's The Haunting, 1963) as well as outside the genre. With a connection to wallpapers, it was discussed publicly during Gilman's time. This article r…
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The Haunting of the House in Charlotte Perkins Gilman’s “The Yellow Wallpaper”
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Urban Gothic is a sub-genre of Gothic fiction, film horror, and television dealing with industrial and post-industrial urban society. It was pioneered in the mid-19th century in Britain, Ireland, and the United States, before being developed in British novels such as Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886) and Irish novels such as Oscar Wilde's The Picture of Dorian Gray (1890) and Bram Stoker's Dracula (1897). In the twentieth century, urban Gothic influenced the creation of the sub-genres of Southern Gothic and suburban Gothic. From the 1980s, interest in the urban Gothic was revived with books like Anne Rice's Vampire Chronicles and a number of graphic novel…
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Joseph Thomas Sheridan Le Fanu (; 28 August 1814 – 7 February 1873) was an Irish writer of Gothic literature, journalist and newspaper proprietor. Le Fanu is considered by literary critics to be among the greatest ghost story writers of the Victorian era, as several of his works were central to the development of the genre. He was the author of Gothic short stories and macabre poems, novels such as Uncle Silas (1864), and the collection of five stories In a Glass Darkly (1872), in which the novella Carmilla (1872) is significant as a foundational work of vampire literature. Born into a family of writers, Le Fanu began writing poetry at the age of fifteen, using his father's personal library…
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I Walked with a Zombie is a 1943 American horror film directed by Jacques Tourneur and produced by Val Lewton for RKO Pictures. It stars James Ellison, Frances Dee, and Tom Conway, and follows a Canadian nurse who travels to care for the ailing wife of a sugar plantation owner in the Caribbean, where she witnesses Vodou rites and possibly encounters the walking dead. The screenplay, written by Curt Siodmak and Ardel Wray, is based on an article of the same title by Inez Wallace, and also partly reinterprets the narrative of the 1847 novel Jane Eyre by Charlotte Brontë. The film premiered in New York City on April 21, 1943, before receiving a wider theatrical release later that month. It has…
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Jane Eyre ( AIR; originally published as Jane Eyre: An Autobiography) is a novel by the English writer Charlotte Brontë. It was published under her pen name "Currer Bell" on 19 October 1847 by Smith, Elder & Co. of London. The first American edition was published in January 1848 by Harper & Brothers of New York. Jane Eyre is a bildungsroman that follows the experiences of its eponymous heroine, including her growth to adulthood and her love for Mr Rochester, the brooding master of Thornfield Hall. The novel revolutionised prose fiction, being the first to focus on the moral and spiritual development of its protagonist through an intimate first-person narrative, where actions and events are…
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