komunikacja: Univers

Evidence: 100 • authority: 72

Univers (French pronunciation: [ynivɛʁ] ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope. Univers was one of the first typeface families to fulfil the idea that a typeface should form a family of consistent, related designs. Past sans-serif designs such as Gill Sans had much greater d…

Evidence: 78 • authority: 72

Adrian Johann Frutiger (Swiss Standard German: [ˈaːdriaːn ˈjoːhan ˈfruːtɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern. Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neo-grotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frut…

Evidence: 48 • authority: 72

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype in 1928. It is based on Edward Johnston's 1916 "Underground Alphabet", the corporate typeface of London Underground. As a young artist, Gill had assisted Johnston in its early development stages. In 1926, Douglas Cleverdon, a young printer-publisher, opened a bookshop in Bristol, and Gill painted a fascia for the shop for him using sans-serif capitals. In addition, Gill sketched an alphabet for Cleverdon as a guide for him to use for future notices and announcements. By this time, Gill had become a prominent stonemason, artist and creator of lettering in his own right, and had be…

Evidence: 41 • authority: 88

Development of emotional intelligence of a child in the family. Attention to the development of emotional intelligence today is associated with a growing interest in the formation of the human personality in the context of informatization of society. Understanding the emotional state of the people around you, the ability to control your feelings in various situations is one of the most important issues in communication. Therefore, from a very early age, it is necessary to pay special attention to the development of feelings in children so that in the future they can manage their emotions, make the right decisions in various situations and be able to manage their lives. Understanding the fee…

Evidence: 41 • authority: 80

Cross-cultural emotion responses to form, color, and typeface designs

Evidence: — • authority: 72

Oblique type is a form of type that slants slightly to the right, used for the same purposes as italic type. Unlike italic type, however, it does not use different glyph shapes; it uses the same glyphs as roman type, except slanted. Oblique and italic type are technical terms to distinguish between the two ways of creating slanted font styles; oblique designs may be labelled italic by companies selling fonts or by computer programs. Oblique designs may also be called slanted or sloped roman styles. Oblique fonts, as supplied by a font designer, may be simply slanted, but this is often not the case: many have slight corrections made to them to give curves more consistent widths, so they reta…