popularne-ksiazki: Science fiction

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Science fiction (often shortened to sci-fi or abbreviated SF) is the genre of speculative fiction that imagines advanced and futuristic changes in technology, scientific knowledge, or biological systems. The elements common to science fiction have increased over time: from space exploration, extraterrestrial life, time travel, and robotics; to parallel universes, dystopian societies, and biological manipulations; and, most recently, to information technology, transhumanism, posthumanism, and environmental challenges. Science fiction often explores human responses to the consequences of these types of projected or imagined scientific advances. The precise definition of science fiction has lo…

Evidence: 98 • authority: 72

Science fiction is a genre of speculative fiction that deals with imaginative, futuristic and scientific concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, parallel universes, and extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances. Science fiction is related to fantasy, horror, and superhero fiction, and it contains many subgenres. The genre's precise definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, which emphasizes scientific accuracy, and soft science fict…

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Hard Reading. This book makes an argument for the intellectual ambition and intellectual achievement of science fiction, a genre consistently undervalued by professional literary critics. It is pointed out repeatedly how much the genre owes to developments in anthropology, history, and other “soft sciences”; how the authority of the hard sciences is both asserted and challenged; and how the authority of ancient myths and modern values are likewise interrogated, with widely variant results. Science fiction, it is argued, has been a collective “thinking machine” for authors and readers alike, often (and especially in its early years) people without academic experience or intellectual support.…

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First contact is a common theme in science fiction about the first meeting between humans and extraterrestrial life, or of any sapient species' first encounter with another one, given they are from different planets or natural satellites. It is closely related to the anthropological idea of first contact. Popularized by the 1897 book The War of the Worlds by H. G. Wells, the concept was commonly used throughout the 1950s and 60s, often as an allegory for Soviet infiltration and invasion. The 1960s American television series Star Trek introduced the concept of the "Prime Directive", a regulation intended to limit the negative consequences of first contact. Although there are a variety of cir…

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Science is a systematic discipline that builds and organises knowledge in the form of testable explanations about nature and society. It is driven by the scientific method: an empirical cycle that typically involves making observations, producing hypotheses, testing them with evidence, and drawing conclusions. Science encompasses this process and the body of knowledge it produces, which the scientific community continuously challenges, validates, and organises. Modern science is typically divided into two major branches: the natural sciences, which study the physical world, and the social sciences, which study individuals and societies. While referred to as the formal sciences, logic, mathe…

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The New Wave was a science fiction movement of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, often influenced by the styles of non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which peaked during the Golden Age. Many New Wave writers considered the sci-fi of such as irrelevant or unambitious. The most prominent source of New Wave sci…

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The new weird is a literary genre that emerged in the 1990s through early 2000s with characteristics of weird fiction and other speculative fiction subgenres. M. John Harrison is credited with creating the term "New Weird" in the introduction to The Tain in 2002. The writers involved are mostly novelists who are considered to be part of the horror or speculative fiction genres but who often cross genre boundaries. Notable authors include K. J. Bishop, Paul Di Filippo, M. John Harrison, Jeffrey Ford, Storm Constantine, China Miéville, Alastair Reynolds, Justina Robson, Steph Swainston, Mary Gentle, Alistair Rennie, Michael Cisco, Jeff VanderMeer and Conrad Williams.

Evidence: 41 • authority: 72