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komunikacja: Perpetua (typeface)

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Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high.
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Perpetua is named for the Christian martyr Vibia Perpetua, an account of whose life was used in one of its first showings.
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Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design that did not follow any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text and has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings. Perpetua is named for the Christian martyr Vibia Perpetua, an account of whose life was used in one of its first showings. Its companion italic is named "Felicity" for her companion of that name. The choice had appeal to Morison and Gill, both of whom were converts to Catholicism.
Kategoria: przyroda
Rodzina: geografia-panstwa
Jakość źródła: 65/100
Próby weryfikacji: 3
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Wikipedia ENPOTWIERDZAniezależne

Evidence: 100 • authority: 72

Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design that did not follow any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text and has been particularly popular in fine book printing. Perpetua was released wit…

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Oxford University Presspomocniczeniezależne

Evidence: 25 • authority: 80

Morison, Stanley, (6 May 1889–11 Oct. 1967), RDL, 1960; on the staff of The Times, 1930–60; Typographical Adviser to University Press, Cambridge, 1923–44, 1947–59, and to The Monotype Corporation since 1923; Member, Editorial Board, Encyclopædia Britannica, 1…

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Wikipedia ENpomocnicze

Evidence: — • authority: 72

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype in 1928. It is based on Edward Johnston's 1916 "Underground Alphabet", the corporate typeface of London Underground. As a young artist, Gill had assisted Johnston in its early development stages. In 1926, Douglas Cleverdon, a young printer-publisher, opened a bookshop in Bristol, and Gill painted a fascia for the shop for him using sans-serif capitals. In addition, Gill sketched an alphabet for Cleverdon as a guide for him to use for future notices and announcements. By this time, Gill had become a prominent stonemason, artist and creator of lettering in his own right, and had be…

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Wikipedia ENpomocnicze

Evidence: — • authority: 72

Stanley Arthur Morison (6 May 1889 – 11 October 1967) was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, historically influenced designs that revived some of the best typefaces of the past, with particular attention to the middle period of printing from the Renaissance to t…

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Wikipedia ENpomocnicze

Evidence: — • authority: 72

Times New Roman is a serif typeface commissioned for use by the British newspaper The Times in 1931. It has become one of the most popular typefaces of all time and is installed on most personal computers. The typeface was conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department. Asked to advise on a redesign, Morison recommended that The Times change their body text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a com…

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