Główny motyw w "Zbrodni i karze" Fiodora Dostojewskiego

Evidence: 38 • authority: 80

Archetyp „cienia” w strukturze powieści „Zbrodnia i kara” Fiodora Dostojewskiego

Evidence: 38 • authority: 88

Zbrodnia i kara Fiodora Dostojewskiego w teatrze – przemiany gatunku. This text presents three performances, which are stage variants of Dostoevsky’s novel. The author shows and emphasizes the differences between the effect of the novel and the spectacle, indicates the consequences of eliminating fragments of the novel from the structure of the spectacle. It also shows the consequences of experts and formal entrants. The author pays particular attention to the problem of translating the text of the novel into the language of theater. He also points to the consequences of omitting the epilogue in some performances, which, in Dostoyevsky’s work, is an inseparable and most meaningful element.…

Evidence: 33 • authority: 80

Wina i sumienie. Komentarz etyczny do epilogu Zbrodni i kary Fiodora Dostojewskiego

Evidence: 33 • authority: 88

Widzialny symbol wiary. Motyw ikony w twórczości literackiej Fiodora Dostojewskiego. The present work is devoted to the analysis of the icon motif in the works of F. M Dostoyevsky (1821 – 1881). The author of this paper tries to prove her own thesis that the famous writer’s opinion of his literary characters depended distinctly on their attitude towards icons. In this paper Dostoevsky's books such as The Landlady, Netochka Nezvanova, Demons, The Adolescent, The Meek One and The Brothers Karamazov are analyzed.

Evidence: 33 • authority: 88

Motyw „podwójnego ojcostwa” w Młodziku i Braciach Karamazow Fiodora Dostojewskiego. Theme of “double fatherhood” in The Raw Youth and The Brothers Karamazov by Fyodor DostoyevskyThe purpose of this paper is to analyze the motive of two fathers in novels The Raw Youth and The Brothers Karamazov by Fyodor Dostoevsky.The major character in The Raw Youth has two fathers — biological and “formal”. That is the reason of Arkady’s specific dual personality.His main problem is lack of connection with his roots, and therefore his inability of ontological self-determination. Arkady tries to answer the question who his father is. With the passage of time, he realizes that he needs to know the answer to…